♪♪♪ male announcer: KEET-TV presents the best of "Live from the Old Steeple."

Featuring Laurie Lewis.

Robbie Fulks with Jenny Scheinman.

Phoebe Hunt.

Sam Rider and the Human Hands.

Chris Thomas King.

Pharis and Jason Romero.

Lindsay Lou.

Alasdair Fraser and Natalie Haas.

Tim O'Brien.

John Reischman and the Jaybirds.

Led Kaapana.

And John Craigie.

Valerie Eurs: Hello, I'm Valerie Eurs, KEET- TV's Development Director.

David Gordon: And I'm David Gordon, KEET's Executive Director.

We're here at the Old Steeple in Ferndale with a special episode of "Live from the Old Steeple," highlighting the best of last season.

Valerie: And hoping to get more support to fund a second season, which comes directly from you the viewer through your membership donations.

You can support KEET by going to keet.org.

Become a Sustaining Member, which gives you access to every episode of "Live from the Old Steeple."

David: First in this show is Grammy Award-winning musician Laurie Lewis.

She was recorded in the fall of 2018 as an initial pilot, and it wasn't until a year later that we recorded the other 11 artists.

Valerie: Laurie began her career in music while working in a violin shop.

At 35 years old, she decided to record a few songs she had written, and it was during this process that she decided to pursue a career in music.

David: And we're glad she did.

Stick around to the end as this is only the first artist of many.

Here's Laurie Lewis performing "Touch of the Master's Hand."

♪ It was battered and scarred ♪ ♪ and the auctioneer thought it ♪ ♪ scarcely worth his while to waste much time ♪ ♪ on the old violin ♪ ♪ but he held it up with a smile ♪ ♪ "What am I bid, good people?"

he said.

♪ ♪ "Who'll start the bidding for me?"

♪ ♪ "A dollar, a dollar."

♪ ♪ Who'll make it two ♪ ♪ "Two dollars."

♪ ♪ Who'll make it three ♪ ♪ And it's $3 once, and it's $3 twice ♪ ♪ And going for three, but no ♪ ♪ From the back of the room a gray-haired man ♪ ♪ came forward and picked up the bow ♪ ♪ And dusting off that old fiddle ♪ ♪ and tightening up ♪ ♪ all the strings, he played a melody sure and sweet ♪ ♪ as sweet as the angel sings ♪ ♪♪♪ ♪♪♪ ♪ The music stopped, and the auctioneer ♪ ♪ in a voice that was soft and low ♪ ♪ he said, "What am I bid for this violin?"

♪ ♪ And he held it up with the bow ♪ ♪ "A thousand dollars."

♪ ♪ Who'll make it two ♪ ♪ "Two thousand."

♪ ♪ Who'll make it three ♪ ♪ "And it's 3,000 once, and it's 3,000 twice ♪ ♪ and going, and gone," said he ♪ ♪♪♪ ♪♪♪ ♪ The people cheered, but some of them said ♪ ♪ "We don't quite understand ♪ ♪ What changed its worth?"

♪ ♪ And the man replied ♪ ♪ "It was the touch of the Master's hand."

♪ ♪ There's many a man with his life ♪ ♪ out of tune and battered and scarred ♪ ♪ with sin who's auctioned cheap ♪ ♪ to the thoughtless crowd ♪ ♪ much like that old violin ♪ ♪ A mess of pottage, a glass of wine ♪ ♪ a game, and he travels on ♪ ♪ And he's going once, and he's going twice ♪ ♪ He's going and almost gone ♪ ♪ And then the Master comes ♪ ♪ and the foolish crowd can never ♪ ♪ quite understand the worth of a soul ♪ ♪ and the change that is wrought ♪ ♪ by the touch of the Master's hand ♪ ♪ The worth of a soul and the change ♪ ♪ that is wrought by the touch of the Master's hand ♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ [crowd applauding] David: And now Robbie Fulks with Jenny Scheinman ♪♪♪ ♪♪♪ ♪ Well, a dollar I make is a buck I owe, ♪ ♪ and a 40-hour week leaves 10 to blow, ♪ ♪ but every game in this town ♪ ♪ is just a nickel-and-dime ♪ ♪ and when the sun goes down ♪ ♪ it feels like the last time.

♪ ♪ So down the main drag we ride with the engines open.

♪ ♪ If there's a fire inside, that's the one thing going.

♪ ♪ I've got the Mustang loaded.

♪ ♪ I've got a wrong to right.

♪ ♪ And I've got a little red bullet.

♪ ♪ Let's kill Saturday night.

♪ ♪ Knock it out of its misery, ♪ ♪ nail that coffin tight.

♪ ♪ High living that's history.

♪ ♪ Let's kill Saturday night.

♪ ♪♪♪ ♪ Well, the little man's lot that's a prince's life.

♪ ♪ A prince with a lousy job, ♪ ♪ a prince with a working wife.

♪ ♪ Something in the big frame moved.

♪ ♪ It never was so hard to keep ♪ ♪ a 20-inch tube and a fenced-in yard.

♪ ♪ But give me one night ♪ ♪ with the moon high and the radio pounding, ♪ ♪ and, brother, this town's gonna go down, ♪ ♪ kicking and shouting.

♪ ♪ I've got the Mustang loaded.

♪ ♪ I've got a wrong to right.

♪ ♪ And I've got a little red bullet.

♪ ♪ Let's kill Saturday night.

♪ ♪ Knock it out of its misery, ♪ ♪ nail that coffin tight.

♪ ♪ High living that's history.

♪ ♪ Let's kill Saturday-- ♪ Robbie: C'mon, Jenny.

♪♪♪ ♪♪♪ ♪♪♪ ♪ Well, I've got the Mustang loaded.

♪ ♪ I've got a wrong to right.

♪ ♪ And I've got a little red bullet.

♪ ♪ Let's kill Saturday night.

♪ ♪ Knock it out of its misery, ♪ ♪ nail that coffin tight.

♪ ♪ High living that's history.

♪ ♪ Let's kill Saturday night.

♪♪ ♪♪♪ ♪♪♪ [applauding] David: That was Robbie Fulks and Jenny Scheinman performing "Let's Kill Saturday Night."

Robbie Fulks' album "Upland Stories" earned the year's-best recognition from NPR and Rolling Stone, as well as two Grammy nominations.

Valerie: Jenny Scheinman is a jazz violinist who grew up here in Petrolia.

She has produced several critically-acclaimed solo albums, including "12 Songs", named one of the Top Ten Albums of 2005 by The New York Times.

David: Up next is singer-songwriter Phoebe Hunt, with her husband, Dominick Leslie.

Together they are part of a band called The Gatherers.

Valerie: Humboldt County was very lucky to get such amazing artists to travel so far to perform in our small redwood sanctuary.

And it was because of your financial support that we here at KEET were able to record their incredible performances.

So, without further ado, here's Phoebe Hunt performing "November."

♪♪♪ ♪♪♪ ♪ Drifting here, drifting there, ♪ ♪ drifting away from the summer.

♪ ♪ What have you told your mother?

♪ ♪ Where has the child gone?

♪ ♪ Off to another.

♪ ♪ Hold me close tonight.

♪ ♪ Tell me things are fine.

♪ ♪ Let go of the fight, November.

♪ ♪ Ooh, ooh, ooh.

♪ ♪ Rolling hills haunt my mourning.

♪ ♪ Hiding and seeking, a warning.

♪ ♪ Daddy said, "There'll be sorrow."

♪ ♪ Sit back and wait for tomorrow.

♪ ♪ Hold me close tonight.

♪ ♪ Tell me things are fine.

♪ ♪ Let go of the fight, November.

♪ ♪ Leaves fall from the trees, ♪ ♪ shaking off my dreams.

♪ ♪ Hold what no one sees, November.

♪ ♪ Ooh, ooh, ooh.

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Drifting here, drifting there, ♪ ♪ drifting away from the summer.

♪♪ ♪♪♪ [audience applauding] David: And now Sam Rider and the Human Hands.

♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ [audience applauding] Valerie: That was "Skeleton Rag'' by Sam Reider and the Human Hands.

They got their start playing regular night sessions at well-known dive venues like Sunny's Bar in Brooklyn and Manhattan's Rockwood Music Hall.

David: The group has evolved into a 21st-century folk music orchestra featuring a rotating cast of some of the brightest names in jazz, bluegrass, classical, and world music.

Valerie: Up next is Chris Thomas King, best known for his work on "O Brother, Where Art Thou."

Since then, he's created great works including "Les Bleus Was Born In Louisiana;'' about the ostensible fallacy that the Blues originated in the Delta.

David: We're so grateful to Mr. King for coming all the way up to Humboldt County to perform at the Old Steeple.

And remember, if you go to keet.org and become a sustaining member, you can watch this entire episode along with all the other amazing artists from our "Live from the Old Steeple" series.

Valerie: Now, from his 2011 album, Antebellum Postcards, here's Chris Thomas King performing "I Am a Man of Constant Sorrow."

[audience applauding] ♪♪♪ ♪ In a constant sorrow all through my days ♪ ♪♪♪ ♪ I am a man of constant sorrow.

♪ ♪ I've seen trouble ♪ ♪ all my day.

♪ ♪ I bid farewell to ♪ ♪ old Louisiana.

♪ ♪ The place where I was born and raised.

♪ ♪ The place where I was born and raised.

♪ ♪ For six long years I've been in trouble.

♪ ♪ No pleasures here on earth I found.

♪ ♪ For in this world I'm bound to ramble.

♪ ♪ I need some friends to help me now.

♪ ♪ I need some friends to help me now.

♪ Chris: Help me out, y'all.

♪ Whoo!

♪ ♪ Whoo!

♪ ♪♪♪ ♪ It's fare thee well my old lover.

♪ ♪ My face you'll never see here no more.

♪ ♪ For in this world I'm bound to ramble ♪ ♪ I'll meet you on God's golden shore.

♪ ♪ I'll meet you on God's golden shore.

♪ Whoo!

♪♪♪ ♪♪♪ Somebody say yeah.

♪ It's fare thee well my old lover.

♪ ♪ My face you'll never see here no more.

♪ ♪ For in this world I'm bound to ramble ♪ ♪ Perhaps I'll die upon this train.

♪ ♪ Perhaps I'll die on this train.

♪ ♪ You can bury me in some deep valley.

♪ ♪ For many years where I may lay.

♪ ♪ Then you may learn to love another.

♪ ♪ While I am sleeping in my grave.

♪ ♪ While I'm sleeping, oh yeah.

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Maybe your friends think I'm just a stranger.

♪ ♪ My face, you'll never see here no more.

♪ ♪ For I'm bound to ride that northern railroad.

♪ ♪ I'll meet you on God's golden shore.

♪ ♪ I'll meet you on God's golden shore.

♪ ♪ I'll meet you on God's golden ♪ ♪♪♪ ♪ shore.

♪♪ ♪♪♪ [audience applauding] David: And now Pharis and Jason Romero.

♪♪♪ ♪♪♪ ♪ Out in the range I rode one day, ♪ ♪ lookin' for Cowboy Jim.

♪ ♪ There I spied the girl that I loved, ♪ ♪ ridin' the trail with him.

♪ ♪ Won't you come down, down in town now.

♪ ♪ Good times for you and me.

♪ ♪ Forget your ole gal.

♪ ♪ You know she's gone now.

♪ ♪ You know she's been untrue.

♪ ♪♪♪ ♪♪♪ ♪ One glad evenin', the sun went down, ♪ ♪ and this cowboy was feeling old.

♪ ♪ Sittin' there a-talkin' to my partner Jim, says, ♪ ♪ "Cowboy, you sure look blue."

♪ ♪ Won't you come down, down in town now.

♪ ♪ Good times for you and me.

♪ ♪ Forget your ole gal.

♪ ♪ You know she's gone now.

♪ ♪ You know she's been untrue.

♪ ♪♪♪ ♪♪♪ ♪ And singin' old songs that we used to sing, ♪ ♪ and I knew she had done me wrong.

♪ ♪ I turned my old friend around again.

♪ ♪ I rode all night long.

♪ ♪ Won't you come down, down in town now.

♪ ♪ Good times for you and me.

♪ ♪ Forget your ole gal.

♪ ♪ You know she's gone now.

♪ ♪ You know she's been untrue.

♪ ♪♪♪ ♪♪♪ ♪ Won't you come down, down in town now.

♪ ♪ Good times for you and me.

♪ ♪ Forget your ole gal.

♪ ♪ You know she's gone now.

♪ ♪ You know she's been untrue.

♪♪ ♪♪♪ Pharis Romero: Thank you, friends.

We'll see ya back in just shortly.

David: That was Pharis and Jason Romero, the famous Canadian folk duo.

Apart from performing live on stage, the Romeros also operate their own business hand-crafting guitars and banjos.

Valerie: People from all over the world have come here to perform at the Old Steeple, and again, we're so grateful for your financial support, which allows us to fund these televised productions.

David: That's right, everything from our production van, the crew, and post production, there's certainly a lot that goes into bringing these performances to your screen.

Valerie: Up next is Lindsay Lou.

For about a decade, she played mostly bluegrass, until her 2018 album "Southland."

David: From that very album, here's Lindsay Lou playing "Roll With Me."

[audience applauding] ♪♪♪ ♪♪♪ ♪ Were you looking for someone to warm your bed?

♪ ♪ A pretty mama to cut the crust off your bread?

♪ ♪ Were you tired of spending your nights alone?

♪ ♪ Looking for someone to make a happy home?

♪ ♪ I'm not drawn to the quiet days ♪ ♪ Spent my life learning how to get away ♪ ♪ You can roll with me baby, but don't slow me down ♪ ♪ I'm not holding on, and I'm not following the crowd ♪ ♪ You can roll with me baby ♪ ♪ Don't slow me down ♪ ♪ No one got anywhere by waiting around ♪ ♪♪♪ ♪♪♪ ♪ In your world, everything adds up ♪ ♪ Drink your coffee from your favorite cup ♪ ♪ Who drew the lines you're filling in?

♪ ♪ I want to erase them and begin again ♪ ♪ Mm, I see you looking 'round ♪ ♪ I understand ♪ ♪ But I dare you, take me as I am ♪ ♪ And roll with me baby ♪ ♪ Don't slow me down ♪ ♪ I'm not holding on, and I'm not following the crowd ♪ ♪ You can roll with me baby, but don't slow me down ♪ ♪ No one got anywhere by waiting around ♪ ♪ If you're looking for more, open the door ♪ ♪ What are you waiting for?

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ You can roll with me baby ♪ ♪ Don't slow me down ♪ ♪ I'm not holding on ♪ ♪ I'm not following the crowd ♪ ♪ You can roll with me baby, but don't slow me down ♪ ♪ No one got anywhere by waiting around ♪ ♪ You can roll with me baby ♪ ♪ Don't slow me down ♪ ♪ I'm not holding on ♪ ♪ I'm not following the crowd ♪ ♪ You can roll with me baby, but don't slow me down ♪ ♪ No one got anywhere by waiting around ♪ ♪ No one got anywhere by waiting around ♪♪ [audience applauding] David: And now Alasdair Fraser and Natalie Haas.

♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ [audience cheering] Valerie: Known as Scotland's premier fiddle ambassador, Alasdair Fraser has been performing since his teenage years, and began taking classic violin lessons at just eight years old.

David: Teaming up with him is Natalie Haas, a California cellist from Menlo Park.

The Juilliard School graduate now teaches at Berkley College of Music and is an associate professor in Boston.

Valerie: These two have been touring together for over 20 years, and we're very grateful they made their way up to the Old Steeple in Ferndale to share traditional Scottish music.

David: Up next, and back in the States, is Grammy award-winning singer and songwriter Tim O'Brien.

He grew up singing in church and school and was inducted into the West Virginia Music Hall of Fame in 2013.

Valerie: KEET's ability to bring these artists into your home is only possible through the donations of you the viewer.

Become a member and watch every episode of this show online anytime you want.

[applauding] ♪♪♪ ♪♪♪ ♪♪♪ ♪ They been digging my potatoes.

♪ ♪ Tramping on my vine.

♪ ♪ They been digging my potatoes.

♪ ♪ Tramping on my vine.

♪ ♪ I've got a special plan for you, baby, ♪ ♪ resting on my mind.

♪ ♪ I don't want no cabbage sprouts.

♪ ♪ Bring me a solid head.

♪ ♪ I don't want no cabbage sprouts.

♪ ♪ Bring me a solid head.

♪ ♪ I'm supposed to call the wagon if I find one in my bed.

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ She powdered up her face.

♪ ♪ Water waved her hair.

♪ ♪ Well, she powdered up her face.

♪ ♪ Water waved her hair.

♪ ♪ I'm going to find that woman.

♪ ♪ She's off across town somewhere.

♪ ♪ Well, the vines all are green.

♪ ♪ Taters they're all red.

♪ ♪ Yeah, the vines are all green.

♪ ♪ Taters they're all red.

♪ ♪ I never saw a bruised one, 'til I found one in my bed.

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Driving all around.

♪ ♪ Looking up and down.

♪ ♪ And I've been all around.

♪ ♪ Looking up and down.

♪ ♪ I'm going to find that woman.

♪ ♪ She's somewhere in this town.

♪ ♪ I went to town this morning.

♪ ♪ Left my gate unlatched.

♪ ♪ I guess I shouldn't have done that.

♪ ♪ I went to town this morning.

♪ ♪ Left my gate unlatched.

♪ ♪ Then I got home this evening and there's someone in ♪ ♪ my tater patch.

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ They been digging my potato-- ♪ ♪ --oes.

♪ ♪ Tramping on my vine.

♪ ♪ They been digging my potatoes.

♪ ♪ Tramping on my vine.

♪ ♪ I got a special plan for you, baby, ♪ ♪ resting on my mind.

♪♪ ♪♪♪ [crowd cheering] David: And now John Reischman and the Jaybirds.

♪♪♪ ♪♪♪ ♪ Standing by my window and what did I see?

♪ ♪ Five Stellar Jays beneath the walnut tree, ♪ ♪ gathering and a-storing before the snow did fall.

♪ ♪ Listen, can't you hear those little Jaybirds call?

♪ ♪ Take my hand, come walk in the valley.

♪ ♪ Hold my hand, come, go along with me.

♪ ♪♪♪ ♪ I went out on a mountain top and what did I see?

♪ ♪ Five Grey Jays looking back at me, ♪ ♪ gathering and a-storing before the snow did fall.

♪ ♪ Listen, can't you hear those little Jaybirds call?

♪ ♪ Take my hand, come walk in the mountains.

♪ ♪ Hold my hand, come, go along with me.

♪ ♪♪♪ ♪♪♪ ♪ Now, down by the river what did I see?

♪ ♪ Five Scrub Jays as happy as could be, ♪ ♪ gathering and a-storing before the snow did fall.

♪ ♪ Listen, can't you hear those little Jaybirds call?

♪ ♪ Take my hand, come walk by the river.

♪ ♪ Hold my hand, come, go along with me.

♪ ♪♪♪ ♪ While out in the garden what did I see?

♪ ♪ Five Blue Jays blue as they could be, ♪ ♪ gathering and a-storing before the snow did fall.

♪ ♪ Listen, can't you hear those little Jaybirds call?

♪ ♪ Take my hand, come walk in the garden.

♪ ♪ Hold my hand, come, go along with me.

♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Now underneath the pine trees what did I see?

♪ ♪ Five Pinyon Jays busy as could be, ♪ ♪ gathering and a-storing before the snow did fall.

♪ ♪ Listen, can't you hear those little Jaybirds call?

♪ ♪ Take my hand, come walk in the forest.

♪ ♪ Hold my hand, come, go along with me.

♪ ♪ Take my hand, come walk in the forest.

♪ ♪ Hold my hand, love, go along with me.

♪♪ ♪♪♪ ♪♪♪ ♪♪♪ [crowd applauding] David: Now that's some Bluegrass!

John Reischman and the Jaybirds fashion a stylish take on bluegrass that seamlessly blends original songs and instrumentals with Appalachian old-time music for a truly unique sound.

Valerie: In John's episode, he talks about he's no more the front man of the band than anyone else, allowing other band members to compose their own songs.

John Reischman: And the thing I always say is it's billed as John Reischman and the Jaybirds, but that's really just 'cause I started the band and it was geared towards my original instrumentals to start with.

But everyone's featured, so it's kind of a-- more of a democratic presentation of everyone.

I always say I'm the benign dictator of the group.

David: You can watch that interview, along with the rest of the episodes, by becoming a member.

And that also gives you access to a whole host of other PBS programming.

Valerie: Up next is Led Kaapana, a master of stringed instruments, particularly slack key guitar.

He has been thrilling audiences for more than 40 years.

With an easy-going style and rascally kolohe charm, he has built a loyal corps of Led Heads from Brussels to his birthplace on the Big Island of Hawai'i.

David: Recognition by his peers has earned Led four Grammy nominations and two wins.

Now here's Led Kaapana performing "Hele Wawae."

♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ [audience applauding] Led Kaapana: Mahalo, mahalo.

Valerie: If you stream Led's episode through KEET Passport, pay attention, and about half way through, you'll see Paul Beatie, the owner of the Old Steeple, make an appearance on stage with Led to play some classic surf music together!

David: Alright, the final artist of the night is John Craigie with Shook Twins.

Renowned for his eloquent Americana style, engaging live shows, and off-the-cuff clever observations, John Craigie carries on the legacy of classic singer-songwriters, while blazing a trail of his own.

Valerie: Shook Twins, Katelyn and Laurie Shook, formed in 2004.

Their style of music incorporates acoustic instrumentation including banjo, guitar, mandolin, and their signature golden egg.

David: Unfortunately you won't find the golden egg in this clip, but become a member to watch the full episode and see if you can spot it.

Valerie: Here is John Craigie with Shook Twins.

♪♪♪ ♪♪♪ ♪♪♪ ♪ Don't ask me if I'm lonely, baby.

♪ ♪ You know I'm lonely.

♪ ♪ If I wasn't lonely, then I wouldn't be talking to you.

♪ ♪ Yeah, I'm tryin' to drink this poison ♪ ♪ and see if it'll kill me.

♪ ♪ I used to have immunity, whoa, ♪ ♪ but now I don't know what it'll do.

♪ ♪ Yes, you don't know where I've been.

♪ ♪ I was just a canvas back then, ♪ ♪ but now I'm drippin' with paint.

♪ ♪ I ain't old, baby, I'm brand-new.

♪ ♪♪♪ ♪ Yeah, don't ask if I've been writin', baby.

♪ ♪ You know I ain't been writin'.

♪ ♪ Hell, if I'd been writin', ♪ ♪ then I wouldn't be talkin' to you.

♪ ♪ I'm tryin' to board this train wreck.

♪ ♪ I used to have a ticket.

♪ ♪ Oh, the best that I ever written, honey, it's all been ♪ ♪ comin' from you, yes, so don't shut me up.

♪ ♪ It ain't like it was.

♪ ♪ I've shed some layers, and I ain't old, ♪ ♪ baby, I'm brand-new.

♪ ♪ Ooooo-ooooo.

♪ ♪ Ooooo-ooooo.

♪ ♪ Ooooo-ooooo.

♪ ♪ Ooooo-ooooo.

♪ ♪ Ooooo-ooooo.

♪ John: Hey.

♪♪♪ ♪♪♪ ♪♪♪ ♪♪♪ ♪ Don't ask me if I miss my bed.

♪ ♪ Why the hell would I miss my bed.

♪ ♪ This world, it got a lot of beds, ♪ ♪ and I don't mind tryin' 'em all.

♪ ♪ Yeah, some are full of sadness, and some ain't got no ♪ ♪ blankets, but some are like a heaven, honey, ♪ ♪ and more than I could ever pull.

♪ ♪ Yes, I've been rambling long, ♪ ♪ and I'll keep on rollin' on.

♪ ♪ That old cocoon is dead and gone, and I ain't old, ♪ ♪ baby, I'm brand-new.

♪ ♪ Ooooo-oooo.

♪ ♪ Ooooo-oooo.

♪ ♪ Said, I ain't old, baby, I'm brand-new.

♪ ♪ Ooooo-oooo.

♪ ♪ Ooooo-oooo.

♪ ♪ Well, I ain't old, baby, I'm brand-new.

♪♪ ♪♪♪ David: We hope you enjoyed our special presentation of the best of "Live from the Old Steeple."

Valerie: These programs are made possible by viewers like you, so please become a member today.

For $5 a month, watch these and other great performances from "Live from the Old Steeple."